Lana Del Rey started producing her own music when she was just 17 years young. She was born and raised in the state of New York. In her early career, she used a variety of different pseudonyms for her first gigs in Brooklyn and the Lower East Side. When she turned 18, she started working as a social worker in a shelter for homeless people. 1. Born to Die 5. Norman Fucking Rockwell! 4. Did you know that there’s a tunnel under Ocean Blvd 3. Ultraviolence 2. Covers 2. Blue Banisters 1. Chemtrails Over the Country Club 1. Lust for Life 1. Über Lana Del Rey. Kaufe Karten für Konzerte von Lana Del Rey in deiner Nähe. Finde 2023 Tourdaten, Angaben zum Veranstaltungsort, Konzertbewertungen, Fotos und vieles mehr auf Bandsintown. 1. Born to Die 5. Did you know that there’s a tunnel under Ocean Blvd 3. Norman Fucking Rockwell! 3. Ultraviolence 2. Blue Banisters 1. Chemtrails Over the Country Club 1. Lust for Life 1. Paradise 1. Ultraviolence, Amerikalı şarkıcı ve söz yazarı Lana Del Rey 'in üçüncü stüdyo albümü. 13 Haziran 2014'te Almanya'da UMG Recordings, dünya çapında Polydor Records ve Interscope Records etiketiyle yayımlandı. İlk ana çıkışı olan Born to Die (2012) albümünden sonra yayımlanan ilk stüdyo albümü oldu. 2014 yılına The Norman Fucking Rockwell! Tour was the fifth headlining concert tour by American singer Lana Del Rey, in support of her sixth studio album, Norman Fucking Rockwell! (2019). The tour began at the Jones Beach Theater in Wantagh, New York, on September 21, 2019, and concluded at the Du Arena in Abu Dhabi, United Arab Emirates on November 30 of The Norman Fucking Rockwell! Tour. (2019) The LA to the Moon Tour was the fourth headlining concert tour by American singer Lana Del Rey, in support of her fifth studio album and fourth major-label studio album, Lust for Life (2017). The tour began on January 5, 2018, at the Target Center in Minneapolis, [1] [2] and visited cities across North Subscribe and 🔔 to the BBC 👉 https://bit.ly/BBCYouTubeSubWatch the BBC first on iPlayer 👉 https://bbc.in/iPlayer-Home Lana Del Rey performs her hit 'Ultr Thus Lana Del Rey meet and greet ticket prices may be between $1,000 - $5,000 per ticket due to the exclusivity and limited nature of the product. Check Lana Del Rey meet and greet prices with the click of a button. Lana Del Rey Meet and greet prices rarely decrease in price like normal tickets due to their limited and exclusive nature. We traveled 2,000 miles to finally see Lana Del Rey in concert at Outside Lands. S AN FRANCISCO — As the high-energy boom and buzz of the Foo Fighters faintly echoed from the other side of xZz8. Ahoj. Je to sice docela nepravděpodobné, ale co kdyby. Hledám zde někoho, kdo by také rád jel na začátku března na koncert Lany del Rey do Berlína. Samotný tam úplně jet nechci. Lepší přece s někým sdílet. Orientačně, jsem normální kluk s nadšením pro hudbu a umění, 25 let.. Mohli bysme jet už v rámci organizovaného zájezdu z Prahy. Join 2,628,176 fans getting concert alerts for this artist Kyiv (Kiev), Ukraine Change Similar artists with upcoming concerts Tours most with Biography Lana Del Rey (born June 21, 1985) is the stage and performing name of American indie-pop singer and songwriter Elizabeth Woolridge Grant, from New York City, New York, Grant’s first musical excursions were singing in her local church where she was the cantor on the girls choir, before being taught how to play the guitar by here uncle at age 18. During her undergraduate study of metaphysics at Fordham University, Grant would play various clubs and bars around New York City, before performing at the 2006 Williamsburg Live Songwriting Competition. At the competition she met A&R representative Van Wilson of 5 Points Records who ended up signing Grant while she was still a senior at university. Grant released a three-track EP entitled “Kill Kill” in 2008 however her planned album was shelved by the label and the singer focused her efforts on homeless outreach and supporting those in drug and alcohol rehabilitation. 2010 brought the alter-ego Lana Del Rey and her debut album, alternatively spelled “Lana Del Ray”. The album was released in January 2010 although was soon pulled from the shelves by the singer who didn’t believe the label were doing enough to publicise it. After making a name for herself via various uploads to her YouTube channel, Grant was discovered and signed by Stranger Records through which she released her debut single “Video Games”. In support of her second album “Born to Die” Grant made high-profile appearances at the Bowery Ballroom and the Chateau Marmount, and on the TV shows Later… with Jools Holland, and Saturday Night Live. “Born to Die” released in January 2012 sold million copies in that year making it the fifth-best-selling album and even held on to No. 76 on the Billboard 200 after 36 weeks in the chart. Following the release the singer won a number of awards including an MTV Europe Music Award for Best Alternative Act and a 2013 Brit Award for Best International Female Solo Artist. In 2012 Grant released the mini-album “Paradise” of which the singles comprised the soundtrack for her 2013 short film entitled “Tropico” directed by Anthony Mandler. Grant’s follow-up album arrived in 2014 entitled “Ultraviolence” named after Anthony Burgess’ dystopian novel A Clockwork Orange. The album was produced by the Black Keys’ Dan Auerbach and featured the singles “West Coast”, “Shades of Cool” and “Ultraviolence”. The album was seen as much darker and stripped back than its predecessor, though has nevertheless garnered quite the same popular appeal; debuting at No. 1 in twelve countries and selling over 880,000 copies in its first week. Read more Live reviews Lana Del Rey Santo & Johnny were a musical duo from Brooklyn who had a #1 hit with an instrumental song titled “Sleep Walk”. That was back in 1959. Highlights from the Red Rocks season that year included Ricky Nelson and Harry Belfonte. Elizabeth Woolridge Grant wouldn’t be born for another 26 years. She wouldn’t arrive at Red Rocks for another two decades. The first time the young singer-songwriter gazed upon the stage in Morrison, she made herself a promise – one day she would perform on that stage. If I were with her on that day, I would have encouraged the 19-year-old Lizzy Grant, but I wouldn’t have bet on her. Not until I’d seen her shed her skin and become someone else entirely would I have believed she was capable of packing every seat with hysterical, screaming fans. Some will argue that Grant never actually achieved her goal. They will say that the girl who played acoustic guitar and sang coffeeshop love songs had to die in order for someone else to be born. That’s not entirely true though. Lizzy Grant is still very much alive. No matter how self-destructive Lana Del Rey might seem, she is only a character that Grant plays on stage. Living fast, dying young, and leaving a beautiful corpse isn’t a new concept, but it’s also not one Grant lives by. Lana Del Rey is the one who thinks she lives in Brooklyn in the ’60s. She is the one who takes the stage to Santo & Johnny as if they are generational peers. She’s in the little blue dress and designer pumps. She smokes cigarettes and sings songs about sex, drugs and booze. She glamorizes dying young and leaving that beautiful face forever unchanged. Lana Del Rey does all of this so Lizzy Grant can achieve her goals. She does all of this so Lizzy Grant can make a living. Lana Del Rey sacrifices herself so Lizzy Grant can live a long, comfortable life, free from all those tragic things Lana Del Rey sings about. Lana Del Rey is the reason Lizzy has been able to sell out two consecutive shows at Red Rocks. I just hope the thousands of young girls with flowered headbands understand this truth about Lana Del Rey. I hope they understand that the persona is pure entertainment and marketing genius. I hope they understand that she is not a role model. Luckily, my daughter does understand this. That’s why I don’t mind her listening to Lana Del Rey albums and going to Lana Del Rey concerts. But I would be lying if I said it didn’t make me a little nervous to be surrounded by teenage girls last night…each one screaming the following lyrics with such joy… “I got your bible and your gun, And you love to party and have fun. And I love your women and all of your heroin, And I’m so happy now that you’re gone.” - See more at: Read more Report as inappropriate I saw Lana in Brisbane at Riverstage during the Lust For Life tour, and I cannot express how talented she is. The show was amazing, she had an amazing set up and the venue was beautiful, as was her voice. Her opener was BØRNS and his music was a perfect way to open the show and got everyone hyped for Lana. Bless her soul, she came on stage during BØRNS's set and welcomed everyone and thanked us all for showing support for BØRNS, which was a beautiful thing and I can promise you I cried the second she started talking. The $119 was entirely worth it, and although I never made it to the mosh, the lucky souls who got close enough got to take selfies, give her presents, and just talk with her in the middle of her set. She has so much respect for her fans, some of which I met at the show, and they were some amazing people. Lana perfomed songs from all her albums and her sound setup was clear and loud. I wish she had played Groupie Love or God Bless America - And All The Beautiful Women In It, but I got to hear her perform songs I never thought I'd get to hear live and the four years worth of waiting for her to come back to Australia was entirely worth it. If you like her music, I highly recommend taking the opportunity to see her play because she is a literal goddess and that concert blew all my expectations out of the water. By far the best live perfomance I've seen. Read more Report as inappropriate Journeying from a small-town singer-songwriter back at age 18, Lana Del Rey skyrocketed through the music industry, landing herself a slot in the top 10 album charts by the age of 21. Her music is noted for its cinematic sounds and reflections on 50s and 60s music culture. Although her live performances can sometimes be slightly pitchy, you can’t blame her performing to such large audiences, and she never fails to put on a spectacular show. Always looking flawless, Lana carries herself with grace and confidence, both appealing characteristics of a live performer. Whilst her live performances are magical and the sound of her beautiful melodies transcends through the audience, in some ways she is an artist meant for recording purposes. Her dulcet tones tend to get lost in a stadium, however this could be the fault of sound technicians rather than Lana herself. Regardless of this, if you are a fan of her music, I would recommend checking her our live, as the emotion that she portrays through her music is extremely powerful to experience first hand. She also has great moments of interaction with the audience, so if you are able to secure a spot in a front row seat, you won’t be disappointed. Read more Report as inappropriate Absolutely phenomenal. I joke with my friends that after going to this concert, it was a night that I had died and became reborn again. The venue, the Atlanta Tabernacle was beautiful and perfectly fit for her. As a Lana groupie, the amazing connection among the fans there made it feel like I was amongst family. It was almost magical the feeling I received when everyone in the room sang her hits together in unison, because everyone knew all the words. General Admission tickets are encouraged for people who are interested in meeting Lana. She spent so much time talking and taking photos with her fans, signing autographs, everything with her fans. She pays so much attention to them during her concerts, If you have a genuine desire to meet her, I'd say camping out and waiting for hours is definitely worth it. She has her props and they compliment her performance very nicely. Her voice is beautiful live and she sang songs from each of her albums. Although I was disappointed that she didn't sing Yayo or Diet Mountain Dew, as I had hoped. I would easily say that this night was the greatest of my life. So much so, that I purchased tickets for Music Midtown just to see her again. Read more Report as inappropriate The show had an excellent, very relaxed vibe. Lana put on an amazing performance and had a number of guest artists come up on stage with her to perform as well. She seemed to be enjoying herself. As always her voice sounded like warm honey and rung out with a powerful yet melancholic air. She truly is like a goddess on this earth. When my ex said she'd leave me for Lana I couldn't even blame her; I'd leave me for Lana too. I wish I had gone with a group of people, instead of alone, so I could more properly enjoy the atmosphere on the floor. The visuals and sound of the concert were good, not too loud (compared to some concerts), and pretty nicely balanced. Overall it was an excellent experience. Only ways it might have been improved for me is: coming with friends, being mildly intoxicated, and being able to actually see the stage properly/being closer to the front, or being on the ground on a blanket or quilt lounging. I definitely recommend experiencing a show of hers if you are a fan and get the chance. Go with friends or a significant other, and enjoy the raw power and energy Lana gives off. Read more Report as inappropriate The choice of environment was absolutely perfect, I could see clearly how the medieval castle and the sunset would match Lana's dreamy vocals. The thing is, it took a while for Lana herself to appear. We waited from 3pm to about 7 or 8pm, with the guest appearances of some really weird rapper that couldn't be more different from the main act and the handsome Tamino, who blew everyone away with his music. But when Lana finally showed up on stage it was pure magic. It was very well decorated with her traditional old Hollywood romantic style. Lana was very interactive and talked to the crowd while signing records and posters on long instrumental moments of Venice Bitch. She was as sweet as possible and we were left questioning if it hadn't been all a dream. Read more Report as inappropriate I bought my tickets as soon as the presale started and was thrilled to score pit tickets. Unfortunately, the concert I had been looking forward to for months made me miserable. The pit was completely packed with sweaty fans who were drunk and high. During my time there, I got a frozen margarita accidentally poured on me, got puked on, got my hair pulled, butt grabbed, and got my back completely scratched (by fans who thought they would get a better view if they sunk their nails into my skin.) I now know better than to buy pit tickets. I am so sad to say that I left early and couldn't finish seeing my favorite artist because of the terrible pit circumstances. Read more Report as inappropriate Lana del Rey is truly a godess. This was my second time seeing her in concert and it did not ever let me down or disappoint me, just like the first time I saw her. She sang beautifully and heavily interacted with the crowd which made it feel personal and intimate. I wish she would have sang more from untraviolence, but I was happy to hear some of the classics again. The only problem I had with this concert was the organization of the venue. There was a "no lining up" rule which caused for very hectic and stressed out fans. All in all it was absolutely amazing and I can not wait to see Lana again in concert. I would even go back to this venue for her. Read more Report as inappropriate After months worth of hype and buying my tickets as soon as possible, I couldn't wait to see Lana Del Rey, but unfortunately, it wasn't worth the hype at all. Lana's show essentially bored me, and sure, you could argue it was just 'her style' of music. But I've been to quieter shows, and this one just lacked any sort of energy despite having a whole arena in her palm. She singed her melodies with ease, but throughout, I could never get into the music and by the time I could, her set was already over. Overall, Lana is perhaps worth seeing cheap, but at $60 a ticket for mediocre seats, I can't recommend her. Read more Report as inappropriate I did not think it was possible but Lana Del Rey sounds even more incredible live than in studio. The only negative thing was that the doors opened pretty early and she came on a little later on so the wait was around 2 hours with no music or support act, however it was completely worth it once the show started and she sounded absolutely angelic. The set list seemed a little short but had a great selection of songs from throughout her career from Born to Die to Ride to Music to Watch Boys to and White Mustang. I'd definitely recommend going to her shows at least once in your life if you are a fan. Read more Report as inappropriate Find out more about Lana Del Rey tour dates & tickets 2022-2023 Want to see Lana Del Rey in concert? Find information on all of Lana Del Rey’s upcoming concerts, tour dates and ticket information for 2022-2023. Unfortunately there are no concert dates for Lana Del Rey scheduled in 2022. Songkick is the first to know of new tour announcements and concert information, so if your favorite artists are not currently on tour, join Songkick to track Lana Del Rey and get concert alerts when they play near you, like 2628176 other Lana Del Rey fans. This event has passed! The next Lana Del Rey concert in Berlin will take place on 2 March 2020 at Mercedes-Benz Arena. Buy tickets for Lana Del Rey in Berlin at Mercedes-Benz Arena on 2 March 2020. Currently, Lana Del Rey tickets start at . We analyze the majority of ticket sites and show you only the best deals. This post contains affiliate links. If you make a purchase after clicking a link, we’ll collect a share of sales or other compensation. Date and time Monday, 2 March 2020 20:00 Venue Mercedes-Benz Arena Mercedes-Platz 1, 10243 Berlin, Germany Lineup / Performing Artists „Born to Die" (Narodzić się, by umrzeć) to najlepszy tytuł, jaki mogła wybrać młoda wokalistka, decydując się na płytowy debiut na międzynarodowym rynku. Jeszcze przed premierą w prestiżowych magazynach świata okrzyknięto ją jedną z najbardziej oczekiwanych artystek 2012 r. Ale ledwie gwiazda Lany wzeszła na muzyczny firmament, zmasakrowano ją po pierwszych występach. Zobacz na Jeśli już umarła, to ze wstydu, bo chociaż nie zostawiono na niej suchej nitki, pozostaje najgorętszym muzycznym tematem roku. A przecież w show-biznesie od dawna chodzi czasami tylko o to, by nie przekręcano nazwiska. Złoto Hollywood Elisabeth Woolridge Grant (ur. 1986), bo tak nazywa się naprawdę, zawdzięcza globalną sławę modowo-muzycznej kreacji w stylu retro. Wizażyści zaprezentowali ją jako wampa w klimacie gwiazd złotej epoki Hollywood: raz wzorem Lany Turner, której zawdzięcza pseudonim, innym – z fryzurą i w sukni a la Rita Hayworth. Zobacz galerię zdjęć Jest zresztą plastyczna jak Photoshop, który czyni ją ikoną wirtualnego świata. Objawiła się we wszystkich możliwych stylach: słodkiego kociaka w stylu lat 60. i tajemniczej nastolatki z kotkiem. Wszystko to mieści się w coraz szerszych ramach coraz bardziej komercyjnego zjawiska nazywanego Americana. Wynosi na piedestał i mitologizuje amerykańską popkulturę tworzoną, poczynając od lat 50., za pośrednictwem muzycznego i serialowego recyklingu. Nastolatki na całym świecie nie pozostały na taką medialną kreację obojętne. Dzielą się na wyznawców nowej celebrytki i tych, którzy uważają, że to, co robi, jest wielkim obciachem. W radiu i telewizji Lana odniosła kolosalny sukces. Jej pierwsza piosenka „Video Games", wraz z teledyskiem stylizowanym na amatorski film z rodzinnego archiwum, biła i bije rekordy popularności od czasu, gdy pojawiła się w serialu „Ringer". W krótkim czasie trafiła do pierwszej dziesiątki listy przebojów iTunes. Gorzej jest z występami na żywo. Gdy Lana otrzymała zaproszenie do amerykańskiego show „Saturday Night Live", dała popis scenicznego paraliżu i tremy. Niewiele usłyszeliśmy z jej kontraltu. Przy okazji kolejnych występów pojawiły się pogłoski, że korzysta z playbacku, i wiele występów odwołano. Ostatnio przyznała, że ma problem w kontaktach z publicznością. Plotka za plotką Lepiej wiedzie się jej w rodzinie. Zawdzięcza karierę swojemu tacie – milionerowi Robowi Grantowi, znanemu z inwestycji w Internecie. Nie wiadomo do końca, na ile łączy się to z kontrolą – musi być ona jednak niepełna albo przewrotnie wyrafinowana, skoro Lana zasypuje media rewelacjami na temat swojej przeszłości. A mówi o uzależnieniu od alkoholu, którego nabawiła się już jako 14-latka. Samotność i rozłąka z rodziną to inny temat zwierzeń typowy dla dziewczyny z bogatego domu wysłanej wzorem anglosaskim do szkoły z internatem. Ile w tym kreacji, a ile prawdy – dowiemy się pewnie po latach, jeśli Lana przetrwa próbę czasu. Obecnie sprawia wrażenie, jakby się z nim ścigała. Gdy wyciszy się szum medialny po jednych rewelacjach, portale internetowe serwują kolejne. Ostatnio rozgorzała na Facebooku dyskusja, czy pokazanie się wokalistki w negliżu na okładce magazynu „Go" to przejaw upadku czy też tylko frywolna gra o medialną sławę, którą rozpoczęła Lady Gaga. Nowy Jaguar Ci, dla których jest uosobieniem pustki dzisiejszego show-biznesu, Lana ma pewnie odpowiedzi, jakie uzyskała, studiując metafizykę na Uniwersytecie w Nowym Jorku. Ważniejsze okazały się jednak gitarowe akordy, których nauczył ją wtedy wujek, dzięki czemu zaczęła komponować i występować w klubach. Wielokrotnie i pod wieloma pseudonimami nagrywała i wydawała piosenki, by ostatnio powiedzieć, że ważniejsza od tych prób okazała się praca w opiece społecznej z bezrobotnymi i ofiarami nałogów. Nie przeszkodzi jej to, by pod koniec września na Paris Motor Show zaprezentować się jako twarz kampanii reklamowej nowego Jaguara F. Jak widać, z jej historii da się wykroić opowieść intrygującą zarówno dla hedonistów, jak i osób wrażliwych na ludzką krzywdę. Ktokolwiek byją napisał – los czy piarowcy, Lana przykuwa uwagę i ciekawe, co też pokaże w Teatrze Wielkim Operze Narodowej. Retransmisja koncertu w piątek w TVP 1 o godz.